Box 3

Scope and Contents: Lubell 3/10: 182-183 Two photographs of an ink and wash drawing of [Chicago?] stockyards, showing men processing animal carcasses hung on meat hooks. Lubell 182 has printing notations and the photograph of an additional man attached to lengthen the picture. Both are signed Milius. These were originally in a folder with the folder holding the Sit-down Strike in Chicago drawings from 1936, which had the additional notation “Stockyards – Chicago for newspaper.” 182 –...

Scope and Contents: Lubell 3/10: 185b One of two depictions of the same image, one an aquatint print and the other a drawing. This version is an ink, pastel and wash drawing (with gouache) of a woman wearing a floral hat, a fur-trimmed coat and, what appears to be an apron over the front. The woman has very short stature (the arms in particular are somewhat short for her body type). The aquatint, Lubell 185a, is untitled and shows the woman facing to her right. The drawing, Lubell 185b, is titled...

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Lubell 3/11: 187

Ink drawing. A portrait of an elderly man, done on brown paper. The man is seated in profile, his chin resting on his hand. This is the profile view of the front-facing portrait (Lubell 188). Little shading, but significant detailing has been done on the man's face and clothing. Signed Winifred Milius.

50.9 x 39 cm

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Lubell 3/11: 188

Ink drawing. A portrait of an elderly man, done on brown paper. The man is seated, his chin resting on his hand. This is the front view of the profile portrait (Lubell 187). Little shading, but significant detailing has been done on the man's face and clothing. Signed both W Milus and Winifred Milius.

50.5 x 37.2 cm

Scope and Contents: Lubell 3/11: 190 An ink and wash drawing over graphite pencil (with gouache) of an urban landscape, with a train coming through. This piece was one of three in a folder labelled “Drawings Milltown, Newburgh NY, 1940.” While all three have different compositions and colors and use of space, all feature stark spaces filled with buildings and architecture but almost devoid of people. A black train passing through the brown, beige, and white cityscape is a central element to the...

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Lubell 3/11: 191

An ink and wash drawing of an urban landscape, with people walking along a road. This piece was one of three in a folder labelled “Drawings Milltown, Newburgh NY, 1940.” While all three have different compositions and colors and use of space, all feature stark spaces filled with buildings and architecture but almost devoid of people. In this drawing the palette is exclusively black and dark blue.

45.9 x 30.2 cm

Scope and Contents: Lubell 3/11: 192 An ink and wash drawing (with gouache) of an urban landscape, with a train coming through in the foreground. This piece was one of three in a folder labelled “Drawings Milltown, Newburgh NY, 1940.” While all three have different compositions and colors and use of space, all feature stark spaces filled with buildings and architecture but almost devoid of people. A black train passing through the brown, beige, and white cityscape is a central element to the Lubell...

Scope and Contents: Lubell 3/12-14: 223a-q Ink, charcoal, graphite pencil and pastel drawings (some with wash) that comprise a set of 17 self-portraits, drawn over an extended period. Some are undated. Several are dated February and March, 1974 and March 1975, while others, which may be from the same period, are dated with month and date, but not year. On the verso of one portrait (223l) is an earlier draft of the final version. Lubell 223b is on light tan paper and Lubell 223c is on brown paper....

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Lubell 3/15-16: 224a-o

Fifteen ink, ink and wash, graphite pencil, marker ink, and pastel drawings of different size, style, and content. All, except one skeleton, are sketches of various nude subjects. Lubell 224m and Lubell 224n are on tan paper.

Sizes range from 22.8 x 14.9 cm to 43.8 x 35.2 cm