Box Drawer

Scope and Contents: Ross D8 - 21 Collagraph in red. Abstract shapes in yellows, black and blue, set on a patterned background in reds. Some of the elements are also seen in other Quadros prints, including anvil and metal plate shapes. Artist’s Proof. Heavy cream-colored paper. Signed John Ross. This print is oversized and housed in a Map Case Drawer, Folder 8. Color variant of Quadros IX (Ross 16, Oversized, Map Drawer, Folder...

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Ross D8 - 22b

Collagraph in black, brown and green. Large pipes, colored rectangles, and a green circle in the center. 35/50. In slightly lighter colors than the other Refinery print (Ross 22a, Box 1, Folder 6). Heavy cream-colored paper. Signed John Ross. This print is oversized and housed in a Map Case Drawer, Folder 8.

Scope and Contents: Ross D8 - 30 Collagraph in black with other color blocks. Abstract shapes, with color laid on color. Black is printed over red and green and lavender over yellow, with shapes outlined in red and yellow. A pattern of stripes along a curved edge, possibly a gear, is along the lower edge. A/P. Heavy cream-colored paper. Signed John Ross. This print is oversized and housed in a Map Case Drawer, Folder 8. Very close in composition to Ross 28 and Ross 29, Both ...

Scope and Contents: Ross D9 - 93a-c Three collagraphs in pinks/purples and oranges. Somewhat stylized street view with three arches, names of businesses and color blocks. The Artist’s Proof, Ross 93a, titled Alcudia identifying the location as the town of Alcudia, Majorca, Spain contains elements of pink and orange, but draws more from browns and darker gray, with the “Stamp” block in yellow overprinted with brown. The Artist’s Proof, Ross 93b, titled ...

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Ross D10 - 94

Woodcut in black, green and brown. Wide, narrow print of a bridge over a river, with a boatman on the river and city buildings in the background. Artist’s Proof. Heavy cream-colored Japanese paper. Signed John Ross. This print is oversized and housed in a Map Case Drawer, Folder 10.

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Ross D10 - 97

Collagraph in black and browns. Farmhouse, with outbuildings and yard. In the yard are a well, a tree, and a man with a saw, preparing to cut boards that are leaning against the house. Etchings of people engaged in daily tasks are in the windows and yard. Artist’s Proof. Heavy cream-colored paper. Signed John Ross. This print is oversized and housed in a Map Case Drawer, Folder 10.

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Ross D11 - 100a-b

Two collagraphs in black and brown. A waterfront town, rising from boats at the unseen harbor. Buildings are stone or wood, with some highlighted in red or brown. Etched images of people are in several of the windows and doorways and on building walls. Heavy cream-colored paper. Ross 100a, 31/75, is titled and signed John Ross. These prints are oversized and housed in a Map Case Drawer, Folder 11.

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Ross D12 - 105

Collagraph in orange and browns. Stylized image of a bridge with arches and buildings along its span. Proof. On thin cream-colored paper. Signed John Ross. This print is oversized and housed in a Map Case Drawer, Folder 12.

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Ross D13 - 108a-b

Two collagraphs in black and brown. Industrial image, possibly the town’s iron works plant, with towers, buildings, and a row of large containers for either metal pieces or molten metal. 4/50 and 50/50, and are color variants, using the same basic color palate. Both are heavy cream-colored paper. Signed John Ross. These prints are oversized and housed in a Map Case Drawer, Folder 13.

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Ross D14 - 109

Collagraph in black. Farm complex around a courtyard. Buildings are of brick and stone. A cart and two horses are in the courtyard. Heavy cream-colored paper. Signed John Ross. This print is oversized and housed in a Map Case Drawer, Folder 14. See [Slovene Farm] collage plate (Ross 198, Box 11).