Box 11

Tracking lists of all submissions and their returns, as well as a body of contributor correspondence. Much of this correspondence is critical, pointing out errata or expressing displeasure with editorial choices.

Primarily correspondence with potential contributors to the issue, along with lists of intended correspondents.

Tracking forms and lists, notes and memos from Faith Wilding and other editorial staff, and manuscripts by Eleanor Wachtel and Susan Osborne.

Photography. Six postcards of the artist's work, Women's Encampment for a Future of Peace & Justice (1983.) A note to Faith Wilding is split over the cards and reads "Dear Faith/Here are/a few/images/of my/from Seneca Catherine. May we circle round the fire + dance our dreams alive!" Postcards were in a returned envelope and placed in a folder.

Poem, "In My Country," and an essay, "Sexuality in Chicana Poetry." One manuscript for each, correspondence, and tracking sheet. The retitled essay appears on p. 50; a different poem, "Coffee Break," is on p. 51.

Article, "Negotiating the Feminist Divide." Manuscript and tracking sheet. Work appears p. 23-25.

Photocollage, No place to hide. The work seems never to have been formally rejected, but does not appear in the issue.

Article, Story-Box: The Spirituality Question. Tracking sheet only. Work appears p. 57-62.

Interview, "Chase Morrison Interview: Panopticon." Manuscript, letter, and tracking sheet. Not used.

Painting. Tracking sheet only. Work, Unmasked (1986) appears on p. 68.