Ed Kirkeby papers, photographs, music, and audio recordings
Dates
- 1899 - 1980
Scope and Contents
Ed Kirkeby papers, photographs, music, and audio recordings provides a full portrait of early- to mid-twentieth show business, beginning with the fading days of vaudeville and minstrel shows and quickly graduating on to jazz and popular music and African-American blues artists of the 1920s. Most notably, the collection offers extensive professional and personal glimpses in the final part of the career of Fats Waller. The collection amply documents Kirkeby's leadership in emerging areas of advertising and promotion and technologies of radio, recording, film and television as well as his activities in music publishing, artist management and concert production. The diversity of Kirkeby material regarding music publishing, artist management and performance depicts a breadth of activities to give researchers knowledge of the periods covered to draw conclusions beyond the specific artists represented here as far as the history of jazz and popular music of the twentieth century. These include an array of business, financial and legal records and international correspondence; publishing and copyright documents and royalty statements; original music manuscripts and lyrics and published sheet music and music books (some dating from the late nineteenth century); flyers, publicity announcements by Kirkeby, other promoters and recording companies; fan mail; detailed notes on venues and contacts across the entertainment and media fields in the United States, Europe and Canada; itineraries, set lists, discographies and work schedules; extensive documentation of radio broadcasts and scripts and repertoire; datebooks, scrapbooks and photographs and photographic negatives; posters and artwork; clippings and publications; sound recordings; copious notes by Kirkeby; and Kirkeby's efforts begun shortly after Waller's death to produce a biography, published as Ain't Misbehavin' in 1966. The collection documents various aspects of Kirkeby's career and contains hundreds of pages of notes by Ed Kirkeby, ranging from personal observations to details of his transitions with artists.
Extent
15 Linear Feet (37 boxes)
Conditions Governing Access
This collection is open for use. Some of the audiovisual media in the collection is currently open for visual inspection only. Access copies for listening and/or viewing may be created on request, if possible. Contact the Institute for details or to make a request.
Language of Materials
English
Abstract
The collection is comprised of a range of archival documentation outlining the career of an active and enterprising talent manager, music publisher, record and concert producer, bandleader, composer, lyricist and author. These include business, financial and legal correspondence and documents; music manuscripts and published music books and sheet music; publicity materials; working papers of Kirkeby and individual artists and bands; photographs and scrapbooks; clippings and publications; and sound recordings.
Biographical / Historical
Ed Kirkeby, best known for managing jazz icon Fats Waller from 1938 until his death in
1943, was an artist manager, music publisher and record, concert and radio producer in jazz and popular music beginning in the second decade of the twentieth century.
In the mid to late 1930s, Kirkeby operated a sound equipment company when record sales
dipped; helped organize two booking agencies, United Radio Artists and Consolidated
Radio Artists (an affiliate of NBC); produced shows for the national Blue and Red networks
of NBC; briefly managed trumpeter Bunny Berigan; and joined RCA as manager of its
popular artists and repertoire department. He was a member of the Songwriters Protective
Association, the American Federation of Musicians and the American Society of
Composers and Publishers (ASCAP). The year 1938 marked a watershed for Ed Kirkeby when he succeeded the ailing Phil Ponce as Fats Waller's manager. Waller's career had slumped: his heavy drinking had led to contract conflicts and missed engagements. Kirkeby got Waller's career back into high gear, including a 1938 tour of Great Britain, Denmark, Norway and Sweden, where he
was greeted by rapturous audiences. Kirkeby was Waller's manager until the artist's death in 1943. For the remainder of his life, Kirkeby devoted himself to keeping Waller's legacy alive.
Annual "Fats Waller Memorial Week" observances began in 1946 and continued through
the late fifties, formation of international Friends of Fats chapters and his co-authorship of
the Waller biography Ain't Misbehavin' in 1966 are three key examples. He also maintained
an ongoing correspondence with Waller enthusiasts.
From 1944 Kirkeby managed the career of the Deep River Boys, a singing group specializing in gospel, spirituals, rhythm and blues and some jazz and lasted for over twenty-five years. Kirkeby established the Cultural Concerts Society, a network of some 120 cities across the United States to promote African-American artists, in 1946. In addition, Kirkeby briefly represented a few classical artists along the way, including the Austro-Hungarian singer Marguerite Metzenauer and the noted Toronto violinist Kathleen Parlow, as well as Enric Madriguera, the Spanish classical violinist who appeared as soloist with the Boston and Chicago symphonies, but shifted to Latin American dance music in the mid 1940s. Kirkeby returned the record business in 1955 with RCA, assisting in recordings of Arturo Toscanini.
In the 1960s, Kirkeby accompanied the Deep River Boys on their tours and frequently
reminisced about Fats Waller, as evident from clippings of interviews and profiles.
Kirkeby's hopes to write and produce a Broadway show in tribute to Waller's life and music
eluded him, a frustration that must have been all the more profound when Ain't Misbehavin'
opened on May 9, 1978, just over a month before Ed Kirkeby's death at Nassau Hospital in
Mineola, New York on June 12 at the age of 87. The show received the Tony Award and
New York Drama Critics' Circle Award for Best Musical of the Year.
Arrangement
Arrangement of the collection begins with early activities in publishing, artist management and composition between 1916 and 1977, one year before his death. The remainder of the collection is broken down first with respect to Kirkeby's key associations: the California Ramblers, Fats Waller (during the six years of Kirkeby's management and in ensuing decades), and the Deep River Boys. Another subseries collectively details other artists he managed and concludes with his personal papers consisting of autobiographical writings, photographs, scrapbooks and ephemera.
Series 1: Kirkeby Business, 1916-77
Series 2: California Ramblers, 1921-1971, 1976
Series 3: Thomas "Fats" Waller, 1934-44, 1945-1962
Series 4: Thomas "Fats" Waller, Posthumous, 1943-1980
Series 5: Deep River Boys, 1943-1970s
Series 6: Mixed Artists, 1924-1975
Series 7: Personal Papers, 1899-1978
- Title
- Ed Kirkeby papers, photographs, music, and audio recordings
- Author
- Tad Hershorn
- Date
- April 2013
- Description rules
- Describing Archives: A Content Standard
Part of the Institute of Jazz Studies Repository
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