published recordings, undated

Labels and issue numbers: Mary (104, 45631, EP6361, M102, M103, MA5, MA6, MEP3626, TK4M1973/TK4M1974, TK4M1975/TK4M1976); Asch (1002, 1003, 1004, 1005, 1006, 1007, 351, 620, A620); Atlantic (114); Avant Garde Records (AV103); Baronet (TR5); Blue Start (BLP6841); Brunswick (03100, 4694, 7178, 80033, 80214); Circle (L412, R3008, R3009, R3013); Columbia (SEG7608); Commodore (527); Concert Hall Society (CHJ1007); Contemporary (C2507); Decca (1021, 1046, 1155, 1208, 1303, 1477, 1579, 18122, 18123, 1827, 2127, 2204, 2723, 2796, 2797, 3282, 3306, 3385, 3491, 3582, 729, 781, 809, 853, 931); Disc (235, 238, 239, 240, 5025, 6067, 656); Emarcy (MG26033); Felsted (EDL87102); Folkways (FA2966, FJ2292); His Masters Voice (DLP1022); King (EP279); Le Club Français Du Disque (12, 84); London (L1174); Pablo (2308218); Prestige (PRLP175); RCA Victor (400144, 400145, 400146, 400147, LEJ12); Remington (REP76); Sue (724); Swing (M33339); United Hot Clubs Of America (37; 38); Varsity (8193); Vocalion (3255); Vogue (LD124, LD186, LDE022, V2167)
There are frequently multiple copies, and many singles are "white label." Williams's self-titled 1953 recording for Contemporary (C2507) includes an inscription to “Marian” [McPartland] from Williams, and Le Club Français Du Disque 84 includes an inscription from Dave Pochonet.