Box 116

Scope and Contents: Women's traveling group show included: H. Terry Braunstein,Barbara Frank, and Rosemary Wright. Braunstein " ... collected material and memorabilia about (my) life and our society" (p 13), and created series pieces such as "Housewife and "California". A note on the press release indicates that Lucy Lippard had apparently been requested to contribute the forward to the catalog, but could not...

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Catalog of Weh's performance/documentation work at the Museum Dolkwang Essen October 17-November 25, 1973. Weh covered people and objects with mediums such as fibers, wax, and sand to create and destroy new forms.

Performance

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Text/script for video/performance includes quotes from Lucy Lippard, Rosalind Krauss, and Henry Miller.

Performance

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Catalog of 1956-67 retrospective at the Vancouver Art Gallery January 9-February 4, 1968. Cover of catalog has an image of Joyce Wieland "As Love's Labour or the Builder of the Brooklyn Bridge in Ken Jacob's film the Sky Socialist".

Performance

Scope and Contents: Exhibition shown October 16-November 10, 1974 at the Weatherspoon Art Gallery. In the forward, Lucy Lippard indicates that "despite her (Strider's) involvement in performances and progressive readings, there is no resemblance to the cult of permutatuons except the intelligence way behind the scenes." Forward by Lippard expresses interest in the "eroticism, ... inelegant assertion of the flesh" of...

Scope and Contents: Interview of Howardena Pindell by students Adriene Cruz and Gwendolyn Laughinghouse indicate Pindell's frustration with the Women's Movement (and women's organizations such as Ad-Hoc) overt focus on the white women's concerns. Pink scribbles on Nancy Spero interview most likely made by Lippard highlight Spero's apparent denial and contradictory feelings about the struggles of being a woman artist in a male dominated...

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Exhibition at Long Island University, Brooklyn Center May 14 - June 8, 1980.

June Blum notes in her introduction that she feels that " ... an all feminine exhibition is still justified, as the imbalance has yet to be fully redressed." (p.4)

Revisionist History

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Work from 1974-1985 used the subject of subway stations as a metaphor of: spiritual passageways and inaccessible interior spaces."

Spirituality/Religion

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Article on exhibition of Ruth Weisberg's spiritual artwork that was shown at the Loyola Law School.

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Article featuring Ruth Weisberg's work on spirituality and family.