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This collection consists of twenty three etchings and a lithograph by Bernarda Bryson Shahn.
This collection contains the administrative papers of the women's art gallery, Center/Gallery. The folders contain the newsletters, calendars, meeting minutes, bylaws, budgets, and grant seeking applications of the organization. A significant portion of the collection contains newspaper clippings, flyers, and advertisements for the various exhibits, workshops, and sales held there. A limited amount of photographs are available for specific events.
The collection represents a selection of Clare Romano’s artistic production, consisting of twenty one works, including 12 collagraph prints, 7 paintings and drawings, and 2 three-dimensional sculptures. There is also a small amount of archival material, including correspondence and sketches.
The Contemporary Women Artists Files contain various materials on over 2200 women artists active in the United States.
This collection consists of the correspondence and personal papers of Diane Burko, a Philadelphia-based painter and photographer. The collection documents Burko's work as an artist, her tenure as a professor, and activity in local and national art organizations.
This collection contains examples of the artistic and professional output, as well as the papers, of Frances Manola, an artist who worked as a calligrapher and bookbinder in New York and New Jersey from the early 1960s to 2009.
The collection is comprised of oral history interviews conducted by students of the feminist historian Gloria Orenstein between 2006 and 2012. Of special interest are additional materials provided by the interviewee Anne Gauldin, documenting the feminist performance groups The Waitresses and Sisters of Survival which were active in the 1970s and 1980s.
The Janet Indick Papers document Indick's career as a New Jersey painter and sculptor. They contain records relating to awards, fellowships, exhibitions, donation and sale of artworks, publicity and press materials, and artistic organizations. Types of materials include correspondence, exhibition catalogs, applications, donation agreements, fliers, pamphlets, postcards, newsletters, and magazines. The collection highlights Indick's identity as a Jewish artist and as a woman artist.